Last Alteration: Sunday 07 April 2013
Athelhampton House (car park)
Athelhampton House (car park)
Athelhampton House, Athelhampton, Dorset, DT2 7LG
Athelhampton House's car park covers the area in front of the house itself, with the main entrance to the house for visitors at the restaurant/gift shop section.
Access: publicStatus: recognisableDriveway
Photograph taken: 17th September 2006 by Chuck Foster
The Seeds of Doom (3)
Filmed: 30 Oct 1975
The Doctor and Sarah arrive at Chase's estate.
Photograph taken: 17th September 2006 by Chuck Foster
The Seeds of Doom (3)
Filmed: 30 Oct 1975
The Doctor and Sarah pull up at the gates of Chase's estate.
Access: publicStatus: recognisableBeside Terrace
Photograph taken: 17th September 2006 by Chuck Foster
The Seeds of Doom (3)
Filmed: 1 Nov 1975
The Doctor peers over a wall from the estate to see if the coast is clear.
Photograph taken: 17th September 2006 by Chuck Foster
The Seeds of Doom (3)
Filmed: 1 Nov 1975
Having climbed over the wall, Sarah attempts her escape from the estate.
Where to walk to next?
»
River Cottage (The Seeds of Doom). Walk west through the car park, past the restaurant/admissions centre to the river; the cottage can be seen on the other side.
»
Athelhampton House (Entrance Garden) (The Seeds of Doom). Walk west through the car park to the admissions centre, and the Entrance Garden is the first area you enter in the grounds.
Central Point for more locations
»
Athelhampton House (The Seeds of Doom). No route recorded to this location.
Further links about the location:
»
Athelhampton House - Official Website
Related Stories
»
The Seeds of Doom [30-31 Oct, 1-3 Nov 1975]: Harrison Chase's Estate
Information, downloads, photographs and other media are provided for reference and for personal use only (planning visits etc.) - they remain the copyright of their respective authors and may not be duplicated on any other website or media without prior permission.
All screen captures are the copyright of the BBC and appear here as reference to illustrate the location in comparison with how it looked at the time of filming and the present day; no attempt is made to supercede this or any other copyright.
